Publisher’s Foreword
O. A. Dorn

Editor’s Preface
Theo. Hoelty-Nickel

Foreword
Elmer E. Foelber

The Authors

Church Music and Theology
Theo. Hoelty-Nickel, Valparaiso University

Worship from Luther to Lutheranism
Helge Nyman, Abo, Finland

The Hymnody of the Reformation, Then and Now
Mandus Egge, Minneapolis, Minnesota

Church Music and the Ecumenical Scene
Charles Anders, Northfield, Minnesota

Luther and the Composers of His Time
Charles Anders, Northfield, Minnesota

New Concepts of Hymnody and Polyphony
Heinz Werner Zimmermann, Berlin, Germany

“Word” and “Tone” in Three Different Musicae Novae
M. Geerink Bakker, Hilversum, Holland

The Place of Religious Music in Broadcasting
M. Geerink Bakker, Hilversum, Holland

Christian Culture and the Cultured Christian Leader
Walter E. Buszin, Omaha, Nebraska

Has the Lutheran Hymn Run Its Course?
Friedrich Hofmann, Neumarkt/Obf., Germany

Luther and the New Song
Martin J. Naumann, Springfield, Illinois

What Makes It Lutheran?
E. Theo. DeLaney, St. Louis, Missouri

Aesthetics of Music
Joachim Widman, Munich, Germany

International Cooperation in Church Music
Willem Mudde, Den Haag, Holland

The Problem of Expression in Music
Donald Ferguson, Minneapolis, Minnesota

Heinrich Schütz and Johann Sebastian Bach in the Protestant Liturgy
Leo Schrade †, University of Basel, Switzerland

From The Musical Heritage of the Church, Volume VII (St. Louis, Mo.: Concordia Publishing House, 1970). Copyright Concordia Publishing House. Printed by permission. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Concordia Publishing House.

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